It’s summer time and there are many chess tournaments all around the country. This is the time to put your work into practice.
While preparing for different tournaments, parents and students alike often ask how should they organize opening repertoire.
After some back and force debate in my own head and observing student’s results, here is my current point of view.
As with my last article on topics for different levels, I believe different ratings should focus differently on their opening preparations.
My current opinion
Casual players up to USCF U1200: Play any opening that catches your curiocity
USCF 1200 – 1700: Be more specific; Prepare a package against d4 and e4 for black, and choose your favorite 1st move for white
USCF 1700 and Above: Depending on your training regimen and work with coach to personalize best approach
Let’s dissect these in more details
Casual Players (U1200)
When starting chess, the most important opening focus is understanding the basic opening principles. The main ones are: Control the Center, Develop Pieces, and Castle Early.
When you see a brilliant game in the French, go try it out. Find ways to experiment, learn openings that bring out your curiosity to chess.
Regardless what opening you try, make sure to focus on the main principles. Avoid losing games because half of your pieces were not developed.
If your opponent does not follow opening principles, find ways to take advantage of that.
USCF 1200 – 1700
This group is when the training gets serious, and there are certain commitment to improve in chess.
I would suggest build a specific repertoire for both white and black pieces. Stick with the same openings for a while.
The idea is to learn the ins and outs of that opening, and improve your chess in general by understanding deeper concepts such as pawn structures and positional middle game concepts from the same opening.
One example repertoire:
e4 for white; Alapin against Sicilians
French for black against e4
Queen’s gambit declined against d4
USCF 1700 and Above
Now we are pushing towards Master level and beyond. More personalization will be required.
What is your goal in chess? How often do you play in tournaments? How do you train to prepare for tournaments?
These are the questions you want to answer and possibly work with a coach to dive in deeper.
Now a couple weeks removed from my tournament at the Marshall Chess Club, I’ve had some time to think about my performance and prepare for the Chicago Open. Admittedly, NYC didn’t go as planned. Playing more solid openings in a rapid tournament, while good review, kept my hands tied against talented youngsters, which forced me to concede some draws I would have preferred to avoid. All said and done, I finished 4.5/8 over the weekend.
I think what these tournaments did show me was that when I play an opening, it is much more important to understand the concepts than remember the moves. Now I’m sure many of you know this (as do I), but actually applying that can be difficult. Let’s face it – you need to know openings for both sides, and inevitably when there’s a sharp line, it feels like you need to remember the move order to not fall for some tactical traps.
In some of my games, it felt like I was losing time between picking a move I felt like I had remembered versus a concept which I knew. In a G/45 game, that’s wasted time! As I’ve been reviewing my openings this week, I’ve found ways to improve by eliminating rote memory and looking for concepts by challenging my own openings with “human moves”. Given how close we are to the Chicago Open, I don’t want to give away any of my opening secrets, so I decided to use this method but focused on a game I played against a ~1650 rated player in the Dutch:
As you can see, my opening moves are hardly impressive. I simply thought of what set-ups would be the most annoying for Black and took away his only ideas. And in the game Beilin beat me from last night’s stream, you could see how quickly I fell apart from not knowing the best response.
When learning a new opening, you really need to understand the key concepts. If you don’t remember the exact move you need to play in a given position, you can work backwards with: what’s your goal? what’s the ideal set-up?
If you’re just looking at the computer for the best move when you’re planning out your openings, you are depriving yourself of that exposure you really need to play sound opening chess.
As I mentioned in the video, I’ve decided to play in the U2300 section instead of the Open section. Even with a month to prepare since the end of the semester, I was asking a lot of myself to be on my best form going into the Chicago Open. I’m hoping that playing in the U2300 will help me continue to develop as a player and better prepare me for future opens later this summer.
The amount of articles, books, apps, and video content devoted to the topic of openings is absolutely staggering and a bit intimidating. Indeed the opening sets the mood for a game and can determine long term success or failure. There is great pressure to make a strong opening as seen in any game from a casual pick up to the world championship. The good news is that a strong opening rooted in some basic fundamentals can help you determine the path of your game.
As stated before there are tons and tons of sources on openings, but all share some of the same root principles. For demonstration sake, we will examine the Ruy Lopez or “Spanish Game”. This opening is named after a 16th century Spanish Priest and is still used at all levels of play today for very good reason, it works and follows some basic principles. So to begin, the first principle of a strong opening is also one that remains throughout the game – control the center.
If you can control the center of the board, in most cases you can control tempo and make your opponent play YOUR game. d4, e4, d5, and e5 aren’t just the heart of the board but the heart of many tactical and strategic elements. Controlling or possessing these squares can help ensure a favorable pawn structure and help to defend pieces on adjoining squares. So to control the center let’s play e4, arguably the best move on the board.
1.e4 does many things as you can see from the example above. First, it occupies a strong square in the center. It also allows for easy development of the Kingside minor pieces and opens a nice diagonal for the Queen to develop, part of the second major principle we will touch on – develop your pieces quickly. This brings more weapons into the fray and helps control the games tempo as discussed in my previous article “Tempo, Tempo, Tempo”. So let’s move to phase two…
2. Nf3 quickly brings the Knight into action and is the perfect compliment to a Kings Pawn opening. This move puts pressure on the e5 pawn and clears out space for you to castle very soon, another principle of a strong opening and one that remains throughout all games – protect your King. a Knight at f3 is a great defender of it’s King, can combat enemies in the center and the right side of the board, and can also really open up the Kingside and facilitate some great counter play as the game unfolds.
The next move in the Ruy Lopez line is Bb5. This prepares white to castle Kingside, threatens the Knight at c6, develops a minor piece, and controls the tempo all in one move. Once in this position white can determine many factors, set up some long term strategies, and leave many threats for your opponent to consider. From here there are tons of different lines and options for an interesting game.
To recap, let’s go over the key principles of a strong opening:
Control the center – many say that whoever has the center has the game. As discussed earlier, controlling or owning these key squares in the center gives you a major advantage as the game unfolds. This ties in with the second point…
Develop quickly – the more weapons you bring to the fight the better. If your pieces are bottled up or not developed with purpose you will find yourself at a big disadvantage at all phases of the game. When developing, do so with the intention to control the center. Remember – the sooner you have developed your pieces, the sooner you can castle.
Get the King to safety – the ultimate purpose of the game is checkmate, period. The sooner you ensure your King is protected the sooner you can begin your assault on the enemy. Many games are different, so deciding how soon to do this will be dependent on many factors. As you develop as a player you will learn when better to delay this act in favor of attacking or developing other minor pieces.
Move each piece once – as discussed in one my previous articles, “Tempo, Tempo, Tempo”, unless you can gain a major advantage such as a fork, do not move a piece more than once in the opening. Doing so will cripple your development and give tempi to your opponent. This allows your opponent to unleash their weapons earlier and put gross amounts of pressure on you.
The litany of opening theory is absolutely immense, but these guiding principles are the heart of a strong opening. Keep these in mind as your game starts and you are sure to have better battles with more victories. While there are many books and videos out there, in my opinion too many, the best content I have found is free on chess.com. From the landing page, the entire world of openings is readily accessible. https://www.chess.com/openings
I hope this article has helped to streamline one of the most daunting elements of the game and boosted your confidence. What my coach has always told me rings true, “follow the basic principles and put your pieces on their best square, they will know what to do.” While this is the briefest of introductions on the topic, this established a foundation that will make grasping opening theory and building a repertoire much easier. Remember to walk before you run, another piece of wisdom from my coach is to “know the rules before you break them.”
Back in late 2015, I made the argument that despite his record against Magnus, Hikaru Nakamura was the player most in form going into the Candidates Tournament. I even boldly went so far to claim he would beat Magnus in a match with the way he played that year. Things didn’t pan out as a slow start in Moscow put a kibosh on Nakamura’s Challenger aspirations, but it is worth mentioning that shortly after the Candidates he did net his first win against Carlsen in Bilbao.
While Hikaru’s current standing among the world elite won’t be the focus of today’s article, I did want to revisit a game I analyzed in my aforementioned article.
An Opening Reborn: 8. Rb1
Millionaire Chess 2 pitted Nakamura against young Grandmaster Sam Sevian early, in which we reached our tabiya for today.
If you aren’t familiar with the game, you should quickly look over it here, as it will give you an idea as to White’s main ideas in this line. This win was particularly attractive for me as an English player, and for a short time, I even incorporated it in my opening repertoire.
The underlying idea is pretty simple! With an early b2-b4 thrust, White intends to make Black choose between a having a weaker center, or letting White expand quickly on the queenside. If Black isn’t familiar with White’s ideas, these positions are quite dangerous. I remember a particularly euphoric win I had on chess.com against WGM Camilla Baginskaite (granted it was bullet, but the quality of chess was reasonable), after which I decided that this move 8. Rb1 was a legitimate weapon and sideline.
A year removed from this game, its been really interesting to see how Black’s play has evolved at the Grandmaster level, and I thought the development of this line would make for a fascinating conversation today. For such a minor sideline to evolve so quickly, I can only imagine the headache it is to catch up with Najdorf or Grünfeld theory!
Origin Story: 8…g5!?
As the last sub-title suggests, 8. Rb1 was not Nakamura’s creation – in fact, Kasparov even played it in 2001! However, Nakamura’s win against Sevian (and later Topalov) played a huge role in its return to prominence. So why did this line disappear among Super GMs in the first place? White’s plan seemed so easy – why would English players not play 8. Rb1? My best guess is because of the complications the crazy move 8…g5?! caused.
There’s actually quite a number of games here. Black’s intent is to quickly throw everything at the kingside and punish White for a slow 8. Rb1. This line was first really fashioned in 1993 in a clash between then top Grandmasters, Grigory Serper and Viktor Kortschnoj. Kotschnoj blew White off the board, and this move 8…g7-g5 really took off from there. I did a quick search by ChessBase in this line by Black’s rating, and was amazed by Black’s results.
So it makes some sense that 8. Rb1 went out of fashion – this move really gave White a headache. But there’s a story untold here – Black’s wins in this line for the most part predate the development of super computers like Stockfish and Houdini.
I took a quick look at the Almasi-Wang game played in 2011, and White managed to solve his opening problems (though his game was spoiled later on – perhaps thanks to the rapid time control). Since this game, 8…g5 has been played only ten times, with White scoring a splendid 7.5/10.
Black Starts Digging with 8…a5
Nakamura has most certainly looked at 8…g5, and for him to play 8. Rb1 means that he’s found something satisfactory for White as well. While this sideline had been played by GMs prior to Nakamura, his games accelerated the evolution of this line. As we see below, many of the strongest players who tried their hand at 8. Rb1 tried it after 2015, this putting it in the brief spotlight of Grandmaster level chess.
So what can Black do? As we’ve seen in each of these games so far, Black failed to come up with an intuitive solution to 8. Rb1 and was punished for it. However, with 8. Rb1 starting to catch the eyes of strong players, it didn’t take long to find Oleg Romanishin’s tries in 1993 – 8…a5!
This move simply asks White why the rook is on b1! This is the most simple move for Black, and moves us to the next chapter of opening evolution. Luckily for us, this move was featured three times in the Paris leg of the 2016 Grand Chess Tour, starting with Topalov’s try against Nakamura.
Topalov’s idea of simplifications in the center backfired, leaving the American a position where he could play for two results. Vesilin actually liked this game so much he tried 8. Rb1 as White later in the same tournament against Maxime Vachier-Lagrave and won! We’ll get to that game later as it will be the starting point of a future chapter.
John hadn’t studied this 8…a5 line, but found it over the board and the game was smooth sailing for him from there. After the tournament, I started looking into this 8…a5 line and decided to stop playing 8. Rb1 entirely. It’s a great weapon against someone unfamiliar with theory, but with a little time, there’s not reason a strong player can’t find 8…a5 and play from there.
Of course, opening theory evolves beyond my understanding, and its been an interesting journey to watch how 8. Rb1 progressed. Just ten days before I played John in the Pittsburgh Open, Russian Grandmaster Evgeny Tomashevsky neutralized White playing 8..a5, and needless to say, had I analyzed this game, I would have reconsidered playing 8. Rb1 in my own game.
Trades on b6, a Last Gasp?
Now we’ve seen 8..a5 a few times, it would be easy (like I did) to dismiss the 8. Rb1 line altogether, but one of the great things about opening evolution is that Grandmasters are always looking into new ideas!
Black seemed powerless in that game! The novelty MVL came up with 11…Qd7 hardly challenged White, and the game quickly went into a lost endgame. So perhaps giving up the bishop pair for control of b5 is the right approach! Of course Black had some solutions too, and when a nearly 2600-rated Grandmaster went for 8. Rb1 against Sergey Karjakin in the recent World Blitz Championships in Doha, Karjakin quickly put an end to the shenanigans.
I think this 8. Rb1 line is a fun line to try, especially in shorter time controls, but having played it myself, I don’t think I would advise it as a primary weapon. As we’ve seen through the evolution of this line, whenever Black’s found ideas to slow down White’s play, its become difficult for White to find ways to improve the position.
Objectively, I think White surrenders his opening advantage if Black plays 8…a5. At some point the rook will have to move from b1, costing White a critical tempo, as a b2-b4 push is no longer really possible.
On principle alone, we could say this violates moving the same piece twice, and White therefore fails to maintain the initiative. This is not necessarily to say that 8. Rb1 is a bad move – just not the most effective when trying to prove an advantage against 2000+ rated players. While I’m sure White may come up with new ideas in the future with this line, Black will always have solutions given his extra tempo in development.
This past weekend’s Pittsburgh Chess League match-up was certainly an interesting test for me. With an opportunity to break 2100 again and tally another point for the University of Pittsburgh team, I had had this day circled on my calendar since the conclusion of the Pennsylvania G/60 State Championships.
Admittedly, the week leading up to my match-up was by no means optimal. Having fallen ill earlier in the week, I had to miss a few classes – meaning that I would spend the rest of the week catching up on homework and missed notes. Furthermore, with three midterms coming up, chess hadn’t exactly been at the forefront of my attention, so my preparation wasn’t just limited, it was almost non-existent. Thus understandably, I was extremely nervous for what was shaping up to be the single most important game so far this school year.
Things weren’t looking any better hours before the game when my chess.com Tactics Trainer rating took a nose-dive from 2700 to mid-2600 and I was still feeling tired despite multiple cups of coffee. So now what? Over what must have been my fifth coffee that morning, I laid out a plan that would put me in the ideal position to play to the best of my ability:
Throw deep opening preparation out of the window! For some players, this may sound like torture, but knowing I had White I knew I could dictate the pace of the game. By eliminating the need for deep memorization with safe principled play, I rid myself opportunities to make unforced errors out of the opening.
Play safe, avoid tactical complications. I had no idea who I would be paired against, but knowing that my team would need me to win, I decided it would a better idea to try to win my positional means rather than tactical ones. That’s not to say I wanted to eliminate tactics completely, it just meant I was looking for ways to get a safe edge – space, development, structural strength … which brings me to my last point.
Stop all counterplay. This has proven to be an effective way for me to play in recent years when not feeling 100%, so it was natural to go back to this style of play. This method is incredibly effective against players under 2000, and proved to be an important theme in this game.
With this in mind, I was somewhat more comfortable with the idea of playing. I was still a little worried, but I knew at the very least, I would have a reason to take my mind off the stresses of school, so I tried my best to relax the last hour before the game.
I got paired against Jeff Schragin, a strong amateur from the area, and a player I have now faced four times since moving to Pittsburgh last year. While I was a favorite to win, Schragin had put the only real ding in my G/60 performance just a few weeks before, outplaying me most of the game before settling on a draw and effectively removing me from serious prize contention. Now with White and in a much longer time control, I had a chance to get my revenge in a relatively important league match.
I was pleasantly surprised when my opponent opted for the Karpov System against me. While it may have a relatively safe reputation for Black, in the hands of an unprepared player it can prove too much to handle, as the many positional subtleties can make the game fun for White, and not so much for Black. I covered this set-up in a video I made last year after the Pennsylvania G/29 State Championships, and if you missed it, you can catch up to speed here:
So needless to say, I got the exact kind of position I wanted that I had laid out in my game plan. Despite all the external distractions prior to the game to go wrong and lose, I maneuvered, created a positional bind, and won a nice game. While it was by no means a perfect performance, I was certainly a happy player after the three and a half hour fight.
Well, what’s next? The official Pennsylvania State Chess Championship is at the end of the month, and luckily for me, I’ll have two weeks after my last midterm to be fully prepared for this tournament (and hopefully get some sleep too!). While this past weekend’s result was encouraging and certainly builds off the momentum from last month’s performance, I still have some room for improvement and a lot to play for going forward.
As some of you may know, the 2016 Chess Olympiad started last week in Baku, Azerbaijan. Though most of the drama has yet to occur, the first few days of the competition have offered many mismatches, which means plenty of great and not-so-great trends to start out the tournament. While I’m sure you may be able to find a couple, one theme that both I and National Master Franklin Chen have discussed has been how the French has not performed well at all up to this point in the Olympiad.
While I am by no means a 1. e4 player or expert on the French, I decided to tackle this theme as a personal challenge to understand why the French can be seen as strategically risky and why it seldom makes the top flight games. To first layout this article I think I should differentiate between a strategically risky opening and a bad opening.
If you think about the French for a second, while it aims to push …d7-d5, it voluntarily allows White to claim full control over the center with pawns on both e4 and d4. More importantly, as many French players can relate, the c8 bishop is often referred to as the “bad French bishop”, because in many lines, it struggles to find daylight and have a meaningful role in the position.
This doesn’t make the French a bad opening, as many great players have tried their hand with it as Black at some point, it just means that someone playing 1…e6 should be aware of the fact that they are giving up more static factors than 1…e5 for dynamic play on the queenside. However, thanks to the recent development of engines, many of these dynamic lines can be thoroughly analyzed at home, and thus we see the French fashioned less at the Grandmaster level than in amateur level games.
I’m willing to bet that if you have been seriously following the Olympiad, you have already seen the game played by Wei Yi in the first round against Kosovo. However, rather than looking at the game for entertainment from the Chinese wonder kid, let’s try to see what went wrong for Black.
So was this just a question of bad preparation? I do get the impression that perhaps Black quickly looked over a similar position with an engine and thought he could equalize. For most French players, spending this early move, 3…a6 is not to everyone’s liking as the tempo put Black permanently behind in development. Luckily enough for us, Women’s Grandmaster Katerina Nemcova had an opportunity to display here how …c5-c4 can also cause problems in the Women’s Olympiad without the inclusion of this move.
Sure, two round 1 mismatches should not be significant towards our understanding of an opening. However, it was a place to start for this article, and to be seen by two 1800+ rated players at the Olympiad – well, I hope you can see how I felt obligated to discuss this …c5-c4 push! For the next three games, we’ll be looking at space-grabbing variations – meaning that rather than capturing on d5 (which is not to everyone’s liking!), White pushes in the center and forces Black to prove something for the bad bishop and space deficit. In round 2, David Howell, one of my favorite players, demonstrates this in a beautiful win over Indonesia.
So here we saw how when White leaves Black with no target on d4, the position quickly becomes difficult to play and White is the one continuing to press for space. While we have found some small improvements for Black in each game so far, we have yet to really see a position where Black can find serious dynamic resources to make up for slow development or a space deficit, reinforcing the fact that the French is strategically risky. I mentioned that Black could try …f7-f6 against Howell instead of breaking the center, but Canadian Grandmaster Bareev tried this against Mickey Adams, only to reach a similar fate. Take note of how Black still has problems in development, but also suffers from poor structure and king safety!
I hope so far you’re starting to see a pattern. In each of these four games, Black has failed to find dynamic resources and paid the price for playing a strategically risky opening. That is not to say that the French is a bad opening – it has lots of well-established theory and a history of being played in many important games. It’s just that in each of these cases Black failed to “prove” anything whereas against 1…e5, usually it’s up to White to “prove” he has something. This burden of proof is what makes the French inherently risky, and why principled novelties could prove as more detrimental to Black than White in an over the board game.
I want to leave today’s post with a game Franklin shared with me that I had completely missed, but I think reinforces the theme that against these top level players, the French is perhaps not the best option against 1. e4. In the third round Austria-Jamaica match, Markus Ragger showed us we were forgetting one more thing about the French – the bad c8 bishop. Against the Jamaican FIDE Master, Ragger built an “aquarium” around b7, and the bishop never saw daylight as White’s pair of knights danced around Black’s position.
Again, here is another seemingly well-versed player in the French unable to demonstrate its prowess over-the-board. I think it’s really easy at home to passively look at these positions with an engine and believe that Black should be more or less okay with perfect play – but is it realistic to know all of these positions by heart for a tournament? I hardly think so. Black gives up a lot in the opening, the center, development, and in the case of a few games today, king safety – from a human perspective, it’s really difficult to hold the equality when White just makes fundamentally sound moves. It especially hurts when you’re playing the French against a top-class player in the Olympiad! All of these factors explain why fans of the French maybe a little unhappy.
So what does this mean if you play the French? Well chances are, you aren’t representing your country and playing the likes of Ragger and Adams right now, so for the most part, your opponents likely are not familiar with these lines for White. So on that note, you’re probably safe – you just need to have a really strong theoretical understanding and a good sense of the static/dynamic balance in the position. Notice how in each of the five losses we analyzed today, all of Black’s troubles stemmed from a position where the pawn structure could change – whether it was Black playing …c5-c4 to avoid the IQP, or challenging the d4 and e5 pawns to justify giving up the center. Based on what I’ve seen writing this article (keep in mind I play neither side of the French), it would appear that to play 1…e6, Black must be ready to handle many different pawn structures, and be flexible as the direction of a game changes. Whether or not this is for you, I can certainly not be the judge.
I’ll certainly be on the look out for more French in Baku, and I hope you do too!
Morphy was so strong that he retired from chess in his early twenties. He offered to play anyone a match at Pawn + Move handicap yet, no one picked up the glove that he threw down.
We have all learned chess from our predecessors, yet Morphy was an exception. When he was a pre-adolescent, he somehow, intuitively, instinctively, taught himself how to play good chess. His overall lifetime record was an amazing 84.8%.
Morphy played for rapid accurate development, and he put his pieces on their best squares. It was joked that Fischer could throw pieces at a board, and they would land upright centered on their best squares.
Morphy said that one should not attack until all the pieces are in play. He was so ahead of his time that Botvinnik stated that there was little the Soviets could learn from how to play open positions, since Morphy showed everyone how.
Paul Morphy played more Muzio Gambits (or variations of) than all the World Champions combined.
The Muzio Gambit proper, and a truly gutsy move. Two hundred years ago, in 1816 London, Jacob Henry Sarratt (http://www.edochess.ca/batgirl/Sarratt.html) and William Lewis played a 10-game match between themselves where Sarratt played White and Lewis played Black. Nearly all the games opened with the Muzio Gambit, and they really played some wild chess in those days! Game #6 (can be found in some chess databases), ended in a draw, and was particularly entertaining. Sarratt introduced the idea that a stalemate was a draw, and Lewis’ famous pupil was Alexander McDonnell, who played LaBourdonnais in that great 1834 series of matches.
gxf3 6. Qxf3 Qf6
The Muzio Gambit is a tactical piece sacrifice. It is imperative that White keep Queens on the board to generate threats as compensation for being down enormous material. White’s attack will evaporate if Queens are traded. The Benko Gambit (1.d4 Nf6 2.c4 c5 3.d5 b5) is a positional pawn sacrifice. In the Benko, Black can actually trade Queens and maintain his positional pressure.
7. e5 Qxe5
This is called the double Muzio. Chess databases contain fewer games played with this second piece sacrifice, yet it scores better than the more frequently played 8.d3. An excellent historical example (between two World Champion candidates) is Adolf Anderssen – Johannes Zukertort, Breslau 1865, which continued 8.d3 Bh6 9.Nc3 Ne7 10.Bd2 Nbc6 11.Rae1 Qf5 12.Nd5 Kd8 13.Bc3 Re8 14.Nf6 Rf8 15.g4 Qg6 16.h4 d6 17.g5 Bg7 18.Qxf4 h6 19.Qh2 a6 20.d4 hxg5 21.d5 gxh4+ 22.Kh1 Nb8 23.Qxd6+ Bd7 24.Qe7+ 1-0
Kxf7 9. d4 Qxd4+ 10. Be3 Qf6
This must be called the triple Muzio. I like this move, and is the reason why I am writing this article. For hundreds of years, the main line has been 11.Bxf4, which is proven good, yet 11.Bxf4 always seemed to me to be out of sync with the thread of the previous moves. I do not recall where or when I first saw 11.Nc3, but it makes sense.
Alexey Shirov – J. Lapinski, Daugavpils 1990 continued 11.Bxf4 Ke8 12.Nc3 Nc6 13.Nd5 Qg6 14.Rae1 Be7 15.Bd6!! Kd8 16.Qxf8+! Bxf8 17.Bxc7# Some consider this the most brilliant Muzio ever played.
11.Nc3 develops White’s last minor piece and connects his rooks. Black needs five moves to connect his rooks, and White has already sacrificed two pieces. Does the position really warrant that White pause to defend the threatened e3-Bishop?
White moves his inactive Rook to the only open file on the board, and pins Black’s Knight. Black’s undeveloped Queenside pieces can only look on helplessly while White caps his resplendent play with another tactical sacrifice.